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Explodity : sound, image, and word in Russian futurist book art

Author: Nancy Perloff
Publisher: Los Angeles : Getty Research Institute, cop. 2016.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to.

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Document Type: Book
All Authors / Contributors: Nancy Perloff
ISBN: 9781606065082 1606065084
OCLC Number: 1005289081
Notes: "The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning "beyond the mind") that was distinctive in its emphasis on "sound as such" and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book." --> opomba založnika.
Description: VII, 199 str. : ilustr. ; 22 cm.
Responsibility: Nancy Perloff.

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"Indeed, the main contribution of this painstakingly researched, visually striking book lies in its treatment of the Futurist books as interdisciplinary and multiplicitous wholes, where the book art, Read more...

 
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