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Kitano Takeshi

Autor: Aaron Andrew Gerow
Verlag: London : British Film Institute, 2007.
Serien: World directors series.
Ausgabe/Medienart  Gedrucktes Buch : EnglischAlle Ausgaben und Medienarten anzeigen
Zusammenfassung:
The award-winning art film Hana-Bi, the stoic gangster elegy Sonatine, the surfer romance A Scene at the Sea, the absurdist comedy Getting Any?, the entertainment samurai spectacle Zatoichi-very different films made under one name Kitano Takeshi. Who is this varied and sometimes elusive Kitano Takeshi? What relationship does he have to Beat Takeshi, the name he also uses as an actor and immensely popular media  Weiterlesen…
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Gattung/Form: Criticism, interpretation, etc
Name: Bīto Takeshi; Bīto Takeshi.; Takeshi Bīto; Takeshi Kitano; Bito Takeshi; Takeshi Bīto
Medienart: Internetquelle
Dokumenttyp Buch, Internet-Ressource
Alle Autoren: Aaron Andrew Gerow
ISBN: 9781844571659 1844571653 9781844571666 1844571661
OCLC-Nummer: 181895077
Beschreibung: 264 pages, 8 unnumbered pages of plates : illustrations (some color) ; 20 cm.
Inhalt: Introducing two Takeshis --
Part I. Kitano Takeshi : the auteur --
Part II. Another Kitano Takeshi : the films --
Violent cop --
Boiling point --
A scene at the sea --
Sonatine --
Getting any? --
Kids return --
Hana-Bi --
Kikujiro --
Brother --
Dolls --
Zatoichi --
Takeshis' conclusion.
Serientitel: World directors series.
Verfasserangabe: Aaron Gerow.

Abstract:

Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author relates the director to issues of  Weiterlesen…

Inhaltsverzeichnis:

von momojiro (WorldCat-Nutzer von 2008-03-21)

Acknowledgments Introducing Two Takeshis Part I Kitano Takeshi: The Auteur Part II Another Kitano Takeshi: The Films Violent Cop Boiling Point A Scene at the Sea Sonatine Getting Any? Kids Return Hana-Bi Kikujiro Brother Dolls Zatoichi Takeshis' Conclusion Notes Select Bibliography Filmography Index

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http://www.midnighteye.com/books/kitano-takeshi.shtml The long-awaited publication of Kitano Takeshi, the first book-length study of the director's complete work, goes quite a ways to answering the Weiterlesen…

 
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Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/181895077<\/a>> # Kitano Takeshi<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"181895077<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/dbpedia.org\/resource\/London<\/a>> ; # London<\/span>\n\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/enk<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#Person\/bito_takeshi<\/a>> ; # Takeshi B\u012Bto<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#Topic\/motion_picture_producers_and_directors_japan<\/a>> ; # Motion picture producers and directors--Japan<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#Topic\/film<\/a>> ; # Film<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/791.430233092\/e22\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/791.4302330952092\/e22\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/viaf.org\/viaf\/116804432<\/a>> ; # Takeshi Kitano<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#CreativeWork\/bibel<\/a>> ; # Bibel<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/1204082<\/a>> ; # Japan.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#Topic\/regissorer<\/a>> ; # Regiss\u00F6rer<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/1027225<\/a>> ; # Motion picture producers and directors<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/viaf.org\/viaf\/89846817<\/a>> ; # Aaron Andrew Gerow<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2007<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Introducing two Takeshis -- Part I. Kitano Takeshi : the auteur -- Part II. Another Kitano Takeshi : the films -- Violent cop -- Boiling point -- A scene at the sea -- Sonatine -- Getting any? -- Kids return -- Hana-Bi -- Kikujiro -- Brother -- Dolls -- Zatoichi -- Takeshis\' conclusion.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"The award-winning art film Hana-Bi, the stoic gangster elegy Sonatine, the surfer romance A Scene at the Sea, the absurdist comedy Getting Any?, the entertainment samurai spectacle Zatoichi-very different films made under one name Kitano Takeshi. Who is this varied and sometimes elusive Kitano Takeshi? What relationship does he have to Beat Takeshi, the name he also uses as an actor and immensely popular media personality in Japan? Is he an artistic auteur in the traditional sense, offering a singular vision easily identifiable in all his work, or a new kind of star who manages multiples identities, strategically changing them from film to film and situation to situation? This book will explore these issues of auteurship and stardom in the films of Kitano Takeshi especially as they relate to problems of personal and national identity in a Japan confronting an age of globalization. Starting in his early days as one side of a stand-up comedy duo, Kitano has used pairs throughout his films to deftly play out a liminal space between cinema and television, traditional and modern, Japan and the world. Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano\'s films from Violent Cop to Takeshis, the author, a renowned expert on Japanese cinema who himself participated in the debates about Kitano in Japan, relates the director to issues of contemporary cinema, Japanese national identity, and globalism.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/116952336<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Criticism, interpretation, etc.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#Series\/world_directors_series<\/a>> ; # World directors series.<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kitano Takeshi<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"181895077<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/181895077#PublicationEvent\/london_british_film_institute_2007<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#Agent\/british_film_institute<\/a>> ; # British Film Institute<\/span>\n\u00A0\u00A0\u00A0\nschema:url<\/a> <http:\/\/www.gbv.de\/dms\/weimar\/toc\/547256418_toc.pdf<\/a>> ;\u00A0\u00A0\u00A0\nschema:url<\/a> <http:\/\/swbplus.bsz-bw.de\/bsz25866410xcov.htm<\/a>> ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781844571666<\/a>> ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781844571659<\/a>> ;\u00A0\u00A0\u00A0\numbel:isLike<\/a> <http:\/\/bnb.data.bl.uk\/id\/resource\/GBA8-50242.<\/a>> ;\u00A0\u00A0\u00A0\numbel:isLike<\/a> <http:\/\/bnb.data.bl.uk\/id\/resource\/GBA850242<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/181895077<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#Person\/bito_takeshi<\/a>> # Takeshi B\u012Bto<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"B\u012Bto<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Takeshi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Bito Takeshi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"B\u012Bto Takeshi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Takeshi B\u012Bto<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Bito Takeshi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"B\u012Bto Takeshi.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/116952336#Topic\/regissorer<\/a>> # Regiss\u00F6rer<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Regiss\u00F6rer<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/viaf.org\/viaf\/116804432<\/a>> # Takeshi Kitano<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1947<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Kitano<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"B\u012Bto<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Takeshi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"B\u012Bto Takeshi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Takeshi Kitano<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Takeshi B\u012Bto<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"B\u012Bto Takeshi<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/89846817<\/a>> # Aaron Andrew Gerow<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Gerow<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Aaron Andrew<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Aaron Andrew Gerow<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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Content-negotiable representations<\/p>\n