naar inhoud
LE MASQUE BLESSâE/THE AFFLICTED MASK
SluitenVoorbeeld van dit item
Bezig met controle...

LE MASQUE BLESSâE/THE AFFLICTED MASK

Auteur: Seanna Sumalee Oakley
Uitgever: Taylor & Francis
Editie/materiaalsoort: Artikel Artikel : EN
Publicatie:Atlantic Studies, 4, no. 1 (2007): 67-85
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Meer in deze trant
&AllPage.SpinnerRetrieving;

Zoeken naar een online exemplaar

Links naar dit tijdschrift/deze publicatie

Zoeken een exemplaar in de bibliotheek

&AllPage.SpinnerRetrieving; Zoekt bibliotheken met dit item…

Gegevens

Soort document: Artikel
Alle auteurs / bijdragers: Seanna Sumalee Oakley
ISSN:1478-8810
Opmerking taal: EN
Uniek kenmerk: 359903353
Onderscheidingen:

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

Alle gebruiker-tags (2)

De meest populaire tags bekijken als: Tag-lijst | Tag-wolk

Vergelijkbare items

Gebruiker-lijsten met dit item (2)

Bevestig deze aanvraag

Misschien heeft u dit item al aangevraagd. Selecteer OK als u toch wilt doorgaan met deze aanvraag.

Linked data


\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/359903353<\/a>> # LE MASQUE BLESS\u00E2E\/THE AFFLICTED MASK<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Article<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"359903353<\/span>\" ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/romanticism<\/a>> ; # romanticism<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/deconstruction<\/a>> ; # deconstruction<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/haitian_vodoun<\/a>> ; # Haitian vodoun<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/lyric<\/a>> ; # lyric<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/frankaetienne<\/a>> ; # Frank\u00E2etienne<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/self<\/a>> ; # self<\/span>\n\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Person\/oakley_seanna_sumalee<\/a>> ; # Seanna Sumalee Oakley<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2007-04-01<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"This paper aims to bring the Francophone Atlantic into dialogue with philosophy, critical theory, and studies of the lyric instead of continuing to cloister it within diasporic, black, ethnic, or cultural studies. In addition, the aim is to move the literature of the Francophone Atlantic beyond merely thematic discussion. The book-length poem Fleurs d\'insomnie (Flowers of Insomnia) by Haitian poet Frank\u00E2etienne employs the first-person vatic speaker in ways that point to ethical relations between Haitian vodoun, Afro-Creole lyric, and European Romanticism. The vates in Fleurs d\'insomnie is a structural necessity and a syntactic convention. Contrary to what is often said of the lyric “I” in deconstructionist critique, the vates is not a figure of essential or transcendental identity. Instead, Frank\u00E2etienne\'s appropriation of Romantic lyric discourse within Haitian vodoun syntax challenges us to reconsider how the lyric “I” is productive as a poetic device and as an ethical medium.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/75506907<\/a>> ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/worldcat.org\/issn\/1478-8810#4_1<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"LE MASQUE BLESS\u00E2E\/THE AFFLICTED MASK<\/span>\" ;\u00A0\u00A0\u00A0\nschema:pageStart<\/a> \"67<\/span>\" ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"359903353<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/#PublicationEvent\/taylor_&_francis<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Agent\/taylor_&_francis<\/a>> ; # Taylor & Francis<\/span>\n\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/359903353<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Agent\/taylor_&_francis<\/a>> # Taylor & Francis<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Taylor & Francis<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Person\/oakley_seanna_sumalee<\/a>> # Seanna Sumalee Oakley<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Seanna Sumalee Oakley<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/deconstruction<\/a>> # deconstruction<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"deconstruction<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/frankaetienne<\/a>> # Frank\u00E2etienne<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Frank\u00E2etienne<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/haitian_vodoun<\/a>> # Haitian vodoun<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Haitian vodoun<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/lyric<\/a>> # lyric<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"lyric<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/romanticism<\/a>> # romanticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"romanticism<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/self<\/a>> # self<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"self<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/issn\/1478-8810<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Periodical<\/a> ;\u00A0\u00A0\u00A0\nrdfs:label<\/a> \"Atlantic Studies<\/span>\" ;\u00A0\u00A0\u00A0\nschema:issn<\/a> \"1478-8810<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/issn\/1478-8810#4<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationVolume<\/a> ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/worldcat.org\/issn\/1478-8810<\/a>> ;\u00A0\u00A0\u00A0\nschema:volumeNumber<\/a> \"4<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/issn\/1478-8810#4_1<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationIssue<\/a> ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2007-04-01<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/worldcat.org\/issn\/1478-8810#4<\/a>> ;\u00A0\u00A0\u00A0\nschema:issueNumber<\/a> \"1<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/#PublicationEvent\/taylor_&_francis<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Agent\/taylor_&_francis<\/a>> ; # Taylor & Francis<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n