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LE MASQUE BLESSâE/THE AFFLICTED MASK
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LE MASQUE BLESSâE/THE AFFLICTED MASK

作者: Seanna Sumalee Oakley
出版商: Taylor & Francis
版本/格式: 文章 文章 : EN
資源:Atlantic Studies, 4, no. 1 (2007): 67-85
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所有的作者/貢獻者: Seanna Sumalee Oakley
ISSN:1478-8810
語言註釋: EN
專有的識別號: 359903353
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Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/359903353<\/a>> # LE MASQUE BLESS\u00E2E\/THE AFFLICTED MASK<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Article<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"359903353<\/span>\" ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/romanticism<\/a>> ; # romanticism<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/deconstruction<\/a>> ; # deconstruction<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/haitian_vodoun<\/a>> ; # Haitian vodoun<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/lyric<\/a>> ; # lyric<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/frankaetienne<\/a>> ; # Frank\u00E2etienne<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/self<\/a>> ; # self<\/span>\n\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Person\/oakley_seanna_sumalee<\/a>> ; # Seanna Sumalee Oakley<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2007-04-01<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"This paper aims to bring the Francophone Atlantic into dialogue with philosophy, critical theory, and studies of the lyric instead of continuing to cloister it within diasporic, black, ethnic, or cultural studies. In addition, the aim is to move the literature of the Francophone Atlantic beyond merely thematic discussion. The book-length poem Fleurs d\'insomnie (Flowers of Insomnia) by Haitian poet Frank\u00E2etienne employs the first-person vatic speaker in ways that point to ethical relations between Haitian vodoun, Afro-Creole lyric, and European Romanticism. The vates in Fleurs d\'insomnie is a structural necessity and a syntactic convention. Contrary to what is often said of the lyric “I” in deconstructionist critique, the vates is not a figure of essential or transcendental identity. Instead, Frank\u00E2etienne\'s appropriation of Romantic lyric discourse within Haitian vodoun syntax challenges us to reconsider how the lyric “I” is productive as a poetic device and as an ethical medium.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/75506907<\/a>> ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/worldcat.org\/issn\/1478-8810#4_1<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"LE MASQUE BLESS\u00E2E\/THE AFFLICTED MASK<\/span>\" ;\u00A0\u00A0\u00A0\nschema:pageStart<\/a> \"67<\/span>\" ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"359903353<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/#PublicationEvent\/taylor_&_francis<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Agent\/taylor_&_francis<\/a>> ; # Taylor & Francis<\/span>\n\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/359903353<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Agent\/taylor_&_francis<\/a>> # Taylor & Francis<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Taylor & Francis<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Person\/oakley_seanna_sumalee<\/a>> # Seanna Sumalee Oakley<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Seanna Sumalee Oakley<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/deconstruction<\/a>> # deconstruction<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"deconstruction<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/frankaetienne<\/a>> # Frank\u00E2etienne<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Frank\u00E2etienne<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/haitian_vodoun<\/a>> # Haitian vodoun<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Haitian vodoun<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/lyric<\/a>> # lyric<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"lyric<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/romanticism<\/a>> # romanticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"romanticism<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Thing\/self<\/a>> # self<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"self<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/issn\/1478-8810<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Periodical<\/a> ;\u00A0\u00A0\u00A0\nrdfs:label<\/a> \"Atlantic Studies<\/span>\" ;\u00A0\u00A0\u00A0\nschema:issn<\/a> \"1478-8810<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/issn\/1478-8810#4<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationVolume<\/a> ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/worldcat.org\/issn\/1478-8810<\/a>> ;\u00A0\u00A0\u00A0\nschema:volumeNumber<\/a> \"4<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/issn\/1478-8810#4_1<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationIssue<\/a> ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2007-04-01<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/worldcat.org\/issn\/1478-8810#4<\/a>> ;\u00A0\u00A0\u00A0\nschema:issueNumber<\/a> \"1<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/#PublicationEvent\/taylor_&_francis<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/75506907#Agent\/taylor_&_francis<\/a>> ; # Taylor & Francis<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n