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Detalles
Género/Forma: | Performance art scripts (documents) |
---|---|
Tipo de documento | Libro |
Todos autores / colaboradores: |
Richard James Allen; Karen Pearlman |
ISBN: | 0868194204 9780868194202 |
Número OCLC: | 44313556 |
Descripción: | xv, 189 pages : illustrations ; 28 cm |
Contenido: | First and last warning / The Sydney Front -- Call of the wild / Jenny Kemp -- The 7 stages of grieving / Kooemba Jdarra -- Thursday's fictions / Tasdance/That was fast -- Quick death / Richard Murphet -- Sum of the sudden / Open City -- Spitfire 1 2 3 -- from the Darwin translations / Lydndal Jones -- Appearing in pieces / The Party Line -- Things Calypso wanted to say! / Margaret Cameron -- Nobody's daughter / Sidetrack Performance Group -- Beautiful mutants / Ex-stasis Theatre Collective -- The geography of haunted places / Josephine Wilson and Erin Hefferon -- Preludes to an exile / Doppio Teatro -- Undiscovered land-voyage 2 / Kinetic Energy Theatre Company -- All of me / Legs on the Wall -- Eclipse / Entr'acte -- Situation normal -- cut up / All Out Ensemble |
Responsabilidad: | edited by Richard James Allen and Karen Pearlman. |
Resumen:
Reseñas
Reseñas de usuarios de WorldCat (1)
Quotes from Metaphor, RealTime, and Heat reviews
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“This is a remarkable achievement showing how performance can be a platform for new ways of writing...
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“This is a remarkable achievement showing how performance can be a platform for new ways of writing and an area of literary invention and achievement. Challenging, rewarding, confronting but essential reading. Make sure you buy and read Performing the Unnameable.”
Bill Simon, Metaphor
“RealTime 28 celebrates a major event in arts publishing: the first collection of Australian performance texts…Performing the Unnameable pays homage to some 2 decades of significant and innovative engagements between performers and the idea of theatre that have yielded an open-ended form often simply called performance. These works radically juxtapose a range of media, they evolve collaboratively, incorporate audiences into performances and…test the limits of the word…a rich repository of the ways that performance texts work”
Keith Gallasch, Editorial, RealTime
“A first in Australian publishing history and a priceless resource.”
Edward Scheer, Heat
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- australia (Bielorrusia 1 persona)
- australian dance (Bielorrusia 1 persona)
- australian performance (Bielorrusia 1 persona)
- australian theatre (Bielorrusia 1 persona)
- contemporary performance (Bielorrusia 1 persona)
- dance (Bielorrusia 1 persona)
- dance studies (Bielorrusia 1 persona)
- dramaturgy (Bielorrusia 1 persona)
- karen pearlman (Bielorrusia 1 persona)
- keith gallasch (Bielorrusia 1 persona)
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