Painting literature : Dostoevsky, Kafka, Pirandello, and García Márquez in living color (eBook, 1993) [WorldCat.org]
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Painting literature : Dostoevsky, Kafka, Pirandello, and García Márquez in living color

Author: Constance A Pedoto
Publisher: Lanham : University Press of America, ©1993.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Aims to extend artistic methods and terminology to the realm of literature. Pedoto explores four painting techniques - chiaroscuro, sfumato, incollato and impasto - and demonstrates how they are used  Read more...

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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Print version:
Pedoto, Constance A.
Painting literature.
Lanham : University Press of America, ©1993
(DLC) 93003535
(OCoLC)27895437
Named Person: Fyodor Dostoyevsky; Franz Kafka; Luigi Pirandello; Gabriel García Márquez; Fyodor Dostoyevsky; Gabriel García Márquez; Franz Kafka; Luigi Pirandello
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Constance A Pedoto
OCLC Number: 622179127
Reproduction Notes: Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (vii, 112 pages) : illustrations
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: Fyodor Dostoevsky's Crime and punishment and Notes from underground through Chiaroscuro and the high Renaissance/Baroque period --
Franz Kafka's The castle and "The metamorphosis" through Sfumato and Leonardo da Vinci --
Luigi Priandell's Six characters in search of an author and Liolà through Incollato and Picasso's cubism --
Gariel García Márquez's The autumn of the patriarch and "The handsomest drowned man in the world" through Impasto and French impressionism.
Responsibility: Constance A. Pedoto.

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Pedoto has evoked a critical conceit of such significance and power and illustrates it with such obvious intellectual relish that Painting Literature must be judged exempt from even the smallest part Read more...

 
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