Yesterday in Rwanda (DVD 비디오, 2005) [WorldCat.org]
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Yesterday in Rwanda

저자: Davina Pardo; Marie Claire Wihogora; Stanford University. Department of Communication.; Filmakers Library, inc.
출판사: New York, NY : Filmaker's Library, ©2005.
판/형식:   DVD 비디오 : 영어모든 판과 형식 보기
요약:
"Yesterday in Rwanda is a haunting film that focuses on one survivor of the genocide and her experience of trauma, displacement and hope. Claire Wihogora emigrated to Canada in 1998, four years after her father, brother and countless other family and friends were killed. The film portrays Claire carrying on with her life today in Toronto, while inevitably haunted by terrible memories of Rwanda. On film she recounts  더 읽기…
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상세정보

장르/형태: Documentary films
History
Personal narratives
명시된 사람: Marie Claire Wihogora; Marie Claire Wihogora
자료 유형: 비디오레코딩
문서 유형 시각 자료
모든 저자 / 참여자: Davina Pardo; Marie Claire Wihogora; Stanford University. Department of Communication.; Filmakers Library, inc.
OCLC 번호: 135243326
크레딧: Cinematography, Katherine Leggett, Davina Pardo ; associate producer, Andrew Blum.
설명: 1 videodisc (14 min.) : sound, color ; 4 3/4 in.
세부사항: DVD.
책임: with Marie Claire Wihogora ; produced in the Department of Communication, Stanford University ; produced, directed, and edited by Davina Pardo.

초록:

"Yesterday in Rwanda is a haunting film that focuses on one survivor of the genocide and her experience of trauma, displacement and hope. Claire Wihogora emigrated to Canada in 1998, four years after her father, brother and countless other family and friends were killed. The film portrays Claire carrying on with her life today in Toronto, while inevitably haunted by terrible memories of Rwanda. On film she recounts how she and her sister hid in the brush while all around her people were massacred. Nothing can help her forget the hundred days when 800,000 members of the Hutu and Tutsi tribes were slaughtered. Yet she finds comfort in telling her story in schools]to share it to make sure it never happens again.' Also, she has founded Women in Rwanda, which links female genocide survivors now living in North America in a support system. The film achieves a fascinating interplay of past and present, as images from Claire's everyday life in Toronto (grey tones) are differentiated from the images of Kigali rendered in color"--Container.

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